Organised Sound Cambridge University Press Journal Impact Factor

Organised Sound - Cambridge University Press | 2024 Cite Score:1.2 | Q1

Cite Score and Journal Rank of Organised Sound

About: Organised Sound is a peer-reviewed academic journal focused on the theory and practice of sound organization in music, sound art, and multimedia contexts. The journal explores the intersection of technology, creativity, and auditory experience, offering a platform for the dissemination of innovative research in the field of sound studies.
Objective: The primary objective of Organised Sound is to advance the understanding and application of sound as an organized, creative medium. The journal publishes high-quality research that delves into the technological, theoretical, and cultural aspects of sound organization, with a focus on electroacoustic music, sound design, and multimedia sound art. It aims to foster a deeper comprehension of how sound can be structured, manipulated, and experienced in various artistic and technological contexts.
Interdisciplinary Approach: Organised Sound takes an interdisciplinary approach, integrating perspectives from musicology, sound studies, acoustics, computer science, and media studies. By encouraging collaboration between disciplines, the journal promotes the development of new methodologies and creative practices that push the boundaries of how sound is organized and understood in contemporary contexts.
Impact and Significance: Organised Sound is significant for its contributions to the evolving fields of music technology and sound art. The journals publications influence the ways in which artists, researchers, and technologists think about and engage with sound as a medium for artistic expression and cultural communication. By addressing both theoretical concepts and practical applications, the journal provides a valuable resource for those interested in the creative and technological potentials of sound organization.

Journal Home: Journal Homepage

Editor-in-Chief: Leigh LandyÂ Director

Scope: Organised Sound Journal is a peer-reviewed academic journal that explores the theory, practice, and technology of sound and music in various contexts. It focuses on the use of technology in sound creation, manipulation, and organization, and provides a platform for interdisciplinary research that bridges the gap between sound art, electronic music, and digital sound processing.
1. Sound Art and Composition: Articles on the creation and analysis of sound art pieces and compositions that use unconventional sound sources or innovative sound manipulation techniques.
2. Electroacoustic Music: Research on the development, practice, and theory of electroacoustic music, including musique concrÃ¨te, acousmatic music, and live electronic music performances.
3. Digital Sound Processing: Studies on techniques and software tools for digital sound synthesis, sound effects, and audio manipulation.
4. Interactive Sound Environments: Exploration of sound design for interactive media such as video games, virtual reality, and interactive installations, focusing on how sound enhances user experience.
5. Sound Design and Film Scoring: Research on sound design for film, television, and other media, including techniques for scoring and creating sound effects that enhance narrative and emotional impact.
6. Theoretical and Aesthetic Considerations of Sound: Articles discussing the aesthetics, philosophy, and theoretical frameworks that underpin the creation and perception of organized sound.
7. Historical Perspectives on Sound Technology: Studies on the evolution of sound technology and its impact on music and sound art, including historical developments in recording, synthesis, and sound manipulation.
8. Computer Music and Algorithmic Composition: Research on the use of algorithms, artificial intelligence, and machine learning in music composition and sound design.
9. Soundscapes and Acoustic Ecology: Exploration of the relationship between sound and the environment, including studies on soundscapes, acoustic ecology, and the impact of human activity on the sonic environment.
10. Technology in Performance and Improvisation: Analysis of the role of technology in live sound performances and improvisations, including the use of digital instruments, real-time sound processing, and networked performance environments.
11. New Interfaces for Musical Expression (NIME): Studies on the development and use of new hardware and software interfaces that allow novel forms of musical expression and sound manipulation.
12. Spatial Audio and Immersive Sound: Research on technologies and techniques for creating spatial audio experiences, such as ambisonics, binaural audio, and sound installations that immerse the listener in a 3D sound environment.
13. Pedagogy in Sound and Music Technology: Articles on educational methods and approaches for teaching sound design, music technology, and electroacoustic composition.