Objective: The Moving Image Review and Art Journal focuses on the study and critique of moving image art. It features research articles, reviews, and theoretical papers that explore the aesthetics, techniques, and cultural implications of moving images in art and media. The journal aims to advance scholarly understanding of the role of moving images in contemporary art and visual culture.
Impact and Significance: This journal is crucial for scholars, artists, and critics interested in the intersection of art and moving images. It provides a platform for discussing innovations in visual storytelling, the impact of technological advancements on artistic practices, and the evolving role of moving images in art. The journal contributes to the academic discourse on how moving images shape and are shaped by artistic and cultural contexts.
Journal Home:  Journal Homepage
Editor-in-Chief:  Lucy Reynolds Michael Mazière
scope:
Moving Image Review and Art Journal is a scholarly publication dedicated to exploring the intersections of moving image media and art. It covers various aspects of visual culture, including film, video art, digital media, and their critical and aesthetic implications.
1. Film and Video Art Criticism:
Reviews and critical essays on contemporary and historical film and video art. This section delves into the artistic, cultural, and theoretical aspects of moving image works.
2. Digital Media and New Technologies:
Exploration of how digital technologies and new media are reshaping the creation, distribution, and reception of moving image art. Topics include virtual reality, augmented reality, and interactive media.
3. Artistic Practices and Innovations:
Examination of innovative artistic practices within the realm of moving images, including experimental approaches, multimedia installations, and cross-disciplinary projects.
4. Historical Perspectives:
Articles on the historical development of moving image media and their impact on art and culture. This includes analyses of key movements, influential artists, and significant technological advancements.
5. Theoretical and Philosophical Approaches:
Theoretical and philosophical discussions on the nature of moving images and their role in contemporary art. This section explores issues such as representation, narrative, and the ontology of the moving image.
6. Cultural and Social Contexts:
Analysis of how moving image art interacts with cultural, social, and political contexts. This includes studies on identity, globalization, and the impact of media on public consciousness.
7. Exhibition and Curation:
Insights into the practices of curating and exhibiting moving image works. This section covers exhibition strategies, audience engagement, and the challenges of presenting time-based art.
8. Technical and Production Aspects:
Articles on the technical and production aspects of creating moving image art, including discussions on filmmaking techniques, editing, and the use of software and hardware.
9. Artists Perspectives:
Interviews and features on artists working with moving images, providing firsthand insights into their creative processes, influences, and the conceptual underpinnings of their work.
10. Critical Reviews and Book Reports:
Reviews of recent publications, critical texts, and scholarly works related to moving image art and theory.
Print ISSN:  20456298,
Electronic ISSN:  20456301
Abstracting and Indexing:  SCOPUS
Imapct Factor :  
Subject Area and Category:   Arts and Humanities, Visual Arts and Performing Arts, Computer Science, Computer Graphics and Computer-Aided Design, Computer Science Applications
Publication Frequency:  
H Index:  1
Q1:  
Q2:  
Q3:  
Q4:  Computer Graphics and Computer-Aided Design
Cite Score:  0.1
SNIP:  0.0
Journal Rank(SJR):  0.101
Latest Articles:   Latest Articles in Moving Image Review and Art Journal
Guidelines for Authors: Moving Image Review and Art Journal Author Guidelines
Paper Submissions: Paper Submissions in Moving Image Review and Art Journal
Publisher:  Intellect Ltd.
Country:  United Kingdom